The Cottingley Fairies

HistorIQly Jr.

The Cottingley Fairies

Two Cousins, Five Photographs, and a Famous Hoax

In 1917, two cousins made photographs that seemed to show fairies. Follow the pictures and the secret behind them. A free history mystery for young detectives ages 8-12.

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About this book

The Cottingley Fairies — illustrated-library edition cover
FREE EPUB DOWNLOADVOL 1: HOAXESVERDICT: CONFIRMED HOAX

Two Cousins, Five Photographs, and a Famous Hoax

Year1917
Exposed1983
DifficultyEntry
Chapters9
INVESTIGATE

In the summer of 1917, two cousins borrowed a camera, went down to the bottom of their garden, and came back with a photograph that seemed to show fairies dancing by a stream.

Within three years, Sherlock Holmes’s creator, Arthur Conan Doyle, defended the pictures in a magazine. Other readers suspected paper figures.

The photographs were staged. In 1983, the cousins finally explained the paper props behind a story that had lasted more than sixty years.

The Hoax

1917

Two cousins — Elsie Wright, about sixteen, and Frances Griffiths, about nine or ten — photograph "fairies" in their garden in Cottingley, Yorkshire. They used drawn paper figures held in place with hatpins.

Photographs

5

Five photographs taken between 1917 and 1920: four showing supposed fairies and one showing a supposed gnome.

Famous Supporter

Conan Doyle

Sir Arthur Conan Doyle, creator of Sherlock Holmes, defended the pictures.

Secret Kept

Over 60 Years

Elsie and Frances did not confess until 1983.

The Evidence

An imagined scene of the cousins beside the beck
THE PHOTOGRAPHS

The Five Photographs

Two pictures were made in 1917 and three in 1920. Some examiners supported them; others suspected staging. A photograph without darkroom changes can still record paper props.

Paper, scissors and pins in an imagined crafting scene
ILLUSTRATION

Making Paper Props

Paper, scissors and pins in an imagined crafting scene. The illustration shows a possible staging method; it does not reproduce the cousins’ original cutouts or source book.

A camera can record a staged scene. Demonstration with a paper star — not a historical fairy picture
TEACHING DIAGRAM

A camera can record a staged scene

Demonstration with a paper star — not a historical fairy picture. The method illustrates staging; no original photograph or cutout is reproduced.

How the Hoax Unfolded

SUMMER 1917

The First Photograph

Elsie and Frances borrow Arthur Wright's camera and take the first fairy photograph at Cottingley Beck. Arthur develops the glass plate and suspects a trick. Gardner later dated this picture to July; the exact day is unknown.

LATER IN 1917

The Second Photograph

A second photograph shows Elsie with a gnome. Gardner later dated it to September. Arthur remains sceptical; Polly becomes interested.

Before publication

The Meeting

Polly shares the pictures through people interested in the Theosophical Society. Accounts differ on the meeting date; a museum study citing Crawley places a fairy-life talk in January 1920. By 1920 Gardner and Conan Doyle were involved.

DEC 1920

The Strand Magazine

Conan Doyle publishes the first photographs in The Strand Magazine. The cousins had taken three more that summer. His support brings the pictures to a wider audience.

1922

The Book

Conan Doyle publishes The Coming of the Fairies. The book preserves his arguments. The cousins do not publicly explain their props.

1983

The Confession

Now elderly women, both Elsie and Frances finally admit the truth: the fairies were paper cutouts. But Frances insists the fifth photograph was real — and never changes her mind.

The People in This Story

The Older Cousin

Elsie Wright

About sixteen when the first pictures were made in 1917. Her drawing and photographic experience helped her create paper figures that a camera could record convincingly.

The Younger Cousin

Frances Griffiths

About nine or ten when the first pictures were made in 1917. Later she acknowledged staging four photographs, while defending the fifth until her death in 1986.

The Famous Believer

Sir Arthur Conan Doyle

Creator of Sherlock Holmes and a supporter of spiritualism. He accepted the photographs and helped publicise them. Expertise in writing did not settle a claim about photographic evidence.

Five photographs, unequal evidence. The cousins agreed about four photographs and disagreed about the fifth
The cousins agreed about four photographs and disagreed about the fifth. A diagram of their later accounts; a disagreement is not proof of fairies.

The Question That Remains

Elsie said all five pictures were faked. Frances acknowledged four staged photographs but defended the fifth. Their different accounts are evidence to compare, rather than a reason to guess their private thoughts.

We cannot know her private reasons. Elsie said all five were faked, and the cutout method explains the staged pictures. A disagreement alone does not provide evidence of living fairies.

Read the full book to investigate the key clues and competing explanations — then decide for yourself.

The Cottingley Fairies book coverFREE

Get the Full Book

The complete Cottingley Fairies mystery. 9 chapters about photographs, paper props and the checks that separate a striking image from a supported claim.

9 ChaptersAges 8-12DRM-free EPUB

Part of the Hoaxes Volume

From fake fossils to trick photographs, we investigate the greatest hoaxes in history — and ask how clever people were fooled for so long.

See all books in this volume →

Keep investigating

Check the evidence

What the evidence supports

The cousins used drawn paper figures and hatpins to stage fairy photographs: two in 1917 and three in 1920. The museum preserves Elsie’s 17 February 1983 letter explaining the trick.

Where to be careful

Shooting days and the first fairy-talk date need caution: a museum study citing Crawley gives January 1920, conflicting with commonly repeated 1919. Elsie said all five pictures were faked; Frances defended the fifth. That disagreement does not establish living fairies or reveal her private reasons.

Explore the sources

These selected sources support this guide and offer further reading. Some are written for adults; explore them with a parent or teacher.

The story and illustrations are modern retellings. Imagined scene details are not historical evidence. These sources are a starting point, not citations for every narrative detail.

Evidence guide reviewed .